I’ve spent some time sifting through this ol’ blog, cleaning up dead links and correcting stray typos. Probably the most depressing part of the whole process is the realization that many of my older—and cynical—predictions regarding the current state of the industry have come to be:
“Of course, I still think Ultimate Spider-Man is going to sell well. The character has enough company support and calculated marketing to make up for the casual racism of some readers. Remember when I said that Marvel should blatantly push the characters that DC ignores? It’s happening. And Marvel’s doing a pretty good job of it too. There’s no way any book featuring a brand new black and Latino teen character should outsell Static Shock. Static has years of history and a very successful cartoon under his belt. But Miles? Well, Miles has the power of the Spider-Man franchise and blisteringly hot creators as a sales anchor. Miles is popping up in news articles all over the place. Miles will have guest appearances in popular Marvel books. And Miles is going to make more money than Virgil and Jaime—all while wearing Peter’s hand-me-downs. I think Miles is adorable, but that doesn’t sit completely right with me.”Cheryl Lynn Eaton
Know what else doesn’t sit right with me? That the sole remaining black male character with a solo title at DC is currently wearing Batman’s hand-me-downs. And is a subordinate. It is frustrating that minority heroes who are their own men, who do not depend on older white heroes for their inspiration, attire, or methods, are simply shunned by readers. And publishers are well aware of this, resulting in these characters receiving poor promotion, the occasional green or lackluster creative team, and a very limited timeframe to “prove” oneself before the onset of cancellation. Better to push that minority character draped in a web, “S,” or bat-symbol. After all, that’s what the readers want. That’s where the money is. And so that’s where the USA Today articles, publisher support, and the established white creative team (who will gladly exercise any and all “first dibs” rights to obtain a successful franchise) will be too.
Because that black writer—be he talented or a hack, experienced or a newcomer, beloved by fans or an internet pariah—is only called when there is a title featuring a black male lead on the table. And only when the title on the table is one that no one else wants. And so black writers get funneled into books that are quickly shunned by fans, cancelled, and forgotten. And the creators are forgotten just as quickly.
Nobody is asking for a hand out. No one desires a quota. All I am asking for is for established black writers to have equal access to be considered. This is not happening. They are only being considered for a small number of books that have long proven to be received poorly by an increasingly shrinking market that refuses all that is different from what has come before.
Equal access. When Luke Cage is on the table. Or Nightwing. Power Girl. Or Shang Chi. Or Batman. That’s it.