James Robinson is an incredible writer. And yet placing him on Wonder Woman for a six-issue arc focused on Wonder Woman’s brother is incredibly tone-deaf. I certainly understand the bind DC’s editorial department finds itself within. Fan favorite Greg Rucka has left the company to pursue creator-owned work. That leaves an open slot for a writer on Wonder Woman. And James Robinson is a writer whose strength resides in crafting cinematic adventures with a historical bent. Were I an editor at DC I would immediately wish to place him on Justice Society of America. However, the JSA is currently indisposed.
So what is an editor to do? I wouldn’t want to let a writer of Robinson’s caliber slip through my fingers. And yet there is no way I would entertain the idea of a man writing Wonder Woman given the current cultural climate and miniscule number of opportunities for female writers in the industry—especially on a story arc focused on a male character. But I would have six months to keep Robinson occupied until I could place him on JSA as well as an open Wonder Woman slot to attend to. What to do?
Partner up. DC has recently announced that select books will feature writers from the DC Talent Development Workshop paired with established writers for small arcs. Why not continue down this path and pair Robinson with Vita Ayala? It’d ensure that Wonder Woman possesses a female voice, cement a positive relationship between writers of different generations and cultural backgrounds, and raise the profile of a younger creator. In six months one could separate the two, leave Ayala on Wonder Woman, and move Robinson to JSA.
Status quo. Another option would be to leave writer Shea Fontana on Wonder Woman and allow Robinson to tell his Wonder Woman story elsewhere. Where? Justice League. But what of Bryan Hitch? Well, I would certainly want to hold onto him! And so I would encourage Hitch to create a title for DC’s Dark Matter line.
Relaunch. Nothing like pairing a hot creator with a brand new #1 issue, no? And so one could seek out a low-selling book to quietly cancel and place Robinson on a new Catwoman series. This would loop Robinson into the all-powerful Bat-house and create yet another solid mid-list title for DC. As for Wonder Woman? That title could again be left to Fontana.
King Kirby. Another possibility would be to use Robinson to help boost the profile of Jack Kirby’s Fourth World characters and build a brand around them. Robinson could work on a limited series featuring Darkseid or Orion—one that meshes well with Tom King’s and Mitch Gerads’ upcoming Mister Miracle project.
I believe the options listed above would help to keep both Robinson fans and Wonder Woman fans content, strengthen DC overall, and provide opportunities for marginalized creators.